Author Archives: Meg McKinlay

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About Meg McKinlay

Children's Writer & Poet

The Not-Writing Desk

Is a picture worth a thousand words? This one, sadly, is worth very few, at least not the kind of words I’d like to be generating. Incredibly, the photo has the effect, at least to me, of making the desk appear less chaotic than it is in real life. The piles look smaller some how, and less likely to topple and swamp all in their path.

If you knew what you were looking at here, you would be able to recognise:

* Pile #1: the marking pile from hell. This pile has curious magic pudding-like qualities, something I would applaud in any other context

* the slanty writing board which makes working my way through Pile #1 marginally less painful (at least physically).

* Pile #2: the copyediting job from hell, “almost finished” for about five weeks now.

* a Japanese-English dictionary I’m using in some ongoing translation work (from 地獄). There should be a pile for this job, too, and its absence is worrying…

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Premier’s Summer Reading Challenge

For as many years as I can remember, my daughter has done the WA Premier’s Summer Reading Challenge. Last year for the first time, there was a Parent Challenge too, where parents were also encouraged to read books and win prizes and that was a lot of fun, too. This year, they’ve upped the ante again, by making me a featured author. I wonder what they have in store for me next year?

As part of the Challenge, I’ll be appearing at libraries in Mandurah, Bayswater, and my home turf of Fremantle. Details can be found on the PSRC website. If you’re in the area, come along and say hello! And if you’re not in the area, join in the Challenge anyway. Your local library or school will have all the information you need and as well as the fun of reading itself, there are always some great prizes to be won.

Happy summer reading!

On the Shelf

Writing is not on the menu for me at the moment. With teaching and marking and copyediting and any number of other little jobs all demanding attention nownownow, I don’t have the time or the headspace that writing requires. I can potter on smaller projects, like picture books, but it’s busy work mostly; it’s tiny gestures towards writing so I can tell myself it’s okay, that I’m still doing it – look, see? But the truth is that I can’t really make any creative progress until I move the other piles, and to some extent, myself, out of the way.

So in the meantime, I’m reading. All sorts of things. Here’s a snapshot from the last few weeks:

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It’s kind of all over the place, really, but I guess in some ways it’s a snapshot of me. There are kids’ books in there partly because I write for kids and partly because I have a new nephew and partly because I like to keep up with what my daughter is reading. There’s poetry in there because I am, or have been, a poet, and somewhere in the midst of all the skateboards and the exploding hoses and the difficult, demanding ducks, that side of me has slipped quietly away. And I need to have it back. The adult books are mostly recommendations from friends – thanks to Julia Lawrinson for The Vintner’s Luck, which I finally got around to after only five years. And Art & Fear is there because, well, you know.

Krang!

It’s Kerang, really, but if you live here, you don’t need all those pesky vowels. And I do live here, at least for now. I’m here for a few weeks, on a kind of writing retreat, for some much-needed head-space and novel-writing time, as well as visiting a few schools and some other random bits and pieces.

Yesterday, I spent some time at Kerang Primary, just down the road from where I’m staying. f4644-kerangpsIt’s one of those gorgeous old country schools, not unlike the school I went to when I was growing up in Eaglehawk, near Bendigo (I’ll be visiting Eaglehawk North in a few days, which I’m very happy about), so in a weird way, it feels like home. I talked about reading and writing and about some of my books (my favourite boys, Nathan, Ronnie and Weasel featured heavily in the discussions). I also talked about where stories come from and some ways in which you can turn your writer eyes on to see the ideas that are lurking all around you.

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The Duck Has Demands

In my ‘Writing’ folder there is a ‘Junior Fiction’ folder. In my ‘Junior Fiction’ folder there is a ‘Duck for a Day’ folder.

This is all well and good. This is the sign of an organised mind, an organised computer, a manageable filing system.

But what is inside the ‘Duck for a Day’ folder?

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Lions and Tigers and Bears

Book Week is over for another year, which is probably just as well, as I may need the next eleven months to recover! I had another jam-packed week of storytelling, talks and 188a7-booksafariworkshops, this year at libraries and schools in the Cities of Stirling, South Perth, Joondalup and Swan. It was fun using this year’s theme of Book Safari to talk about tracking ideas: how do you recognise them as they flash past in the jungle? what do their footprints look like? what happens if you think you’re tracking a deer and when you finally get a good look at it, it turns out to be an elephant? These are the questions that keep me up at night!

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Really, Dymocks?

I was thrilled today to overhear a staff member in the children’s section of my local Dymocks enthusiastically recommending “classic Australian literature” to a stymied grandparent shopping for presents.

I was less than thrilled to hear that her suggestions were “The Naganun [sic] and the Stars, you know, by the author of Snugglepot and Cuddlepie, as well as Picnic at Hanging Rock!”

Dymocks, might I suggest you spend a little less energy on the Coalition for Greater Profits and a little more on staff education?

Dig This!

Beware of photographers, I tell you. They will say things to you like, “Yes, let’s just take a few over there. Hold the shovel and smile. Excellent! Looks great!” …[click] [click] [click] … “Well, I think that’s all we need, then.” [feigned casualness] “How about one more? Just scream or something, make a crazy face – just for fun?”

So you scream and make a crazy face, just for fun, and then one day you wake up to this, on your doorstep, before you’ve even had your coffee:

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And suddenly all your friends start looking at you sideways, as if they’re beginning to see you in a whole new light.

** (Actually very fabulous) photograph by Marcus Whisson, in its original context here.

The Benefits of Messy Handwriting

When I talk to school groups, I sometimes show pages from my notebooks, or bits and pieces of paper where I’ve jotted down story ideas. And in doing so, I often make the point that neat handwriting is a very good thing. Because sometimes – quite often, really – when I come later to read what it is that I’ve written down, I find that I can’t, that the idea I remember as being so very brilliant is in fact a meaningless series of squiggles. Or I get to the shops and discover I can’t decipher half the items on my list.

But sometimes things work the other way. Sometimes having terrible handwriting leads, accidentally, to all sorts of surprising connections. In poetry workshops, I’m always talking about making words jostle up against words they wouldn’t normally hang around with. And sometimes this is what happens when I try to make sense of my own writing.

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